BIOGRAFIE MINIME
«Dio e il mio spazzolino sono Dada, e anche i new yorkesi possono essere Dada, se non lo sono già.» (Tristan Tzara)
Queste sintetiche tracce che definito come “bio” sono un tentativo di portare all’esterno stati d'animo, pensieri, dubbi e malumori con l’idea di allontanarli per poterli comprendere; per poter bloccare l'azione corrosiva di cui li sento responsabili rispetto al mio io.
Mi riconosco in vari passaggi del movimento DaDa per questo mi ritrovo a dare questa forma semantica al mio progetto, un po' per dissacrare un po' per alleggerire e esorcizzare concetti per i quali “c’è poco da ridere”.
La rivoluzione tecnologica e l’IOT, l'avvento della rivoluzione digitale, il defilarsi della politica, lo strapotere dei meccanismi social, il nichilismo imperante e le questioni gender sono alcuni degli argomenti e gli ambienti che frequento e da cui traggo le riflessioni che portano alle mie Biografie Minime.
(Seguo e ammiro il lavoro di Jenny Holzer, Emilio Isgrò, Irma Blank, Barbara Kruger, Mirella Bentivoglio; hanno ispirato molto di Biografie Minime).
"God and my toothbrush are Dada, and even New Yorkers can be Dada, if they are not already." (Tristan Tzara)
These brief traces, which I define as “bio,” are an attempt to bring out emotions, thoughts, doubts, and grievances with the idea of distancing them in order to understand them; to block the corrosive action I feel they are responsible for concerning my self.
I recognize myself in various aspects of the Dada movement, which is why I find myself giving this semantic form to my project—partly to desacralize, partly to lighten and exorcise concepts for which “there is little to laugh about.”
The technological revolution and IoT, the advent of the digital revolution, the retreat of politics, the overpowering influence of social mechanisms, the prevailing nihilism, and gender issues are some of the topics and environments I engage with and from which I draw reflections that lead to my Minimal Biographies.
I recognize myself in various aspects of the Dada movement, which is why I find myself giving this semantic form to my project—partly to desacralize, partly to lighten and exorcise concepts for which “there is little to laugh about.”
The technological revolution and IoT, the advent of the digital revolution, the retreat of politics, the overpowering influence of social mechanisms, the prevailing nihilism, and gender issues are some of the topics and environments I engage with and from which I draw reflections that lead to my Minimal Biographies.
I follow and admire the work of Jenny Holzer, Emilio Isgrò, Irma Blank, Barbara Kruger, Mirella Bentivoglio; they have greatly inspired much of Minimal Biographies.
“Dieu et ma brosse à dents sont Dada, et même les New-Yorkais peuvent être Dada, s'ils ne le sont pas déjà.” (Tristan Tzara)
Ces brèves traces que je définis comme “bio” sont une tentative d'exprimer des états d'âme, des pensées, des doutes et des mécontentements avec l'idée de les éloigner afin de les comprendre ; pour bloquer l'action corrosive dont je les sens responsables par rapport à mon soi.
Je me reconnais dans plusieurs aspects du mouvement Dada, c'est pourquoi je trouve cette forme sémantique pour mon projet, à la fois pour sacraliser un peu, pour alléger et exorciser des concepts pour lesquels "il y a peu à rire."
La révolution technologique et l'IOT, l'avènement de la révolution numérique, le retrait de la politique, la domination des mécanismes sociaux, le nihilisme omniprésent et les questions de genre sont quelques-uns des sujets et environnements que je fréquente et dont je tire des réflexions qui conduisent à mes *Biographies Minimales*.
Je suis le travail de Jenny Holzer, Emilio Isgrò, Irma Blank, Barbara Kruger, Mirella Bentivoglio ; ils ont inspiré une grande partie de *Biographies Minimales*.
